portrait photo of a 58 year old monk, looking away, cinematic, 50mm portrait photography, hard edge lighting photography, 50mm portrait photography, orange robes, essay, portrait photo of a 58 year old man, rupert spira, maharshi , joan tollifson, serious eyes, portrait, photo, photography --s 625 --q 2 --q 2
A portrait of a man, close up , dark blond hair, big nose, clean shaven , face details, serious, wearing clothes, upper body, head and shoulders portrait, 8k resolution concept art portrait by dmc_kay, WLOP, dynamic lighting, hyperdetailed intricately detailed Splash, art trending, triadic colors, volumetric lighting
(Award-winning digital art: 1.3), (extremely detailed 8k wallpaper), cyberpunk superhero theme, (Sketch: 1.3),(Energetic:1.3), ArtStation,(Saturated:1.3), man, strong, wearing metallic green mantis symbiote armor, sharp focus, (subsurface scattering:1.1), award-winning photography, (Brad Pitt's face), full body photo:1.1, medium blonde hair, mustache and goatee, neon green eyes:1.2, (eye-catching:1.3), Cute, combat stance, serious expression, perfectly detailed eyes, studio lighting, dramatic lighting, themed background, futuristic cyberpunk background
Dalton's portrayal of Bond was a serious take that was quite different from his predecessor, Moore, who was elegant and comical, and overturned the aristocratic image that Bond had worn before that. The biggest feature is probably the "density" of the face that jumps out at you first. It looks more suitable in costume play than in spy movies. In fact, Dalton was a former Shakespearean actor who had seen Macbeth as a boy and aspired to a career in acting, having studied at the Royal School of Dramatic Art. UIP, who distributed the Japan of Dalton's version of Bond "007: The Living Daylights" (87), may have been conscious of his rich face, and came up with a promotional copy that said, "Today's Bond is dangerously wild." --auto --s2